4/10/2023 0 Comments Post proelia pramiaPost Tenebras Lux is associated with the Protestant "Reformation"- those quotes, by the way, are a legacy from the same people who taught me Latin in the first place. Next: both Post Proelia Praemia and Post Tenebras Lux are common sayings, and there is nothing wrong with them as Latin. 178), without giving any references.I need to begin my response, tjade, by referring you to the Disclaimer at the top of this Section, and by urging you to think long and hard before tatoooing anything permanently on your body. A Renaissance Merchant and the Birth of Archaeology ( New York, 2009) Google Scholar, Marina Belozerskaya has said that Ciriaco saw ‘the surviving triple circuit of walls enclosing the acropolis, the theatre on its southern slope and a few other ruins’ (p. 1660) Google Scholar however, Ciriaco's travels for this period have been reconstructed by Bodnar, E.W., ‘ Cyriacus of Ancona and Athens’, Latomus 43 ( 1960) Google Scholar. Ciriaco's diaries for this voyage survive only in a seventeenth-century edition, see Moroni, C., Epigrammata Reperta per Illyricum a Cyriaco Anconitano apud Liburniam ( Rome, c. See also Margolis, O.J., ‘ The ‘Gallic Crowd’ at the ‘Aragonese Doors’: Donato Acciaiuoli's Vita Caroli Magni and the workshop of Vespasiano da Bisticci’, I Tatti Studies in the Italian Renaissance 17 ( 2014 (forthcoming)) CrossRef Google Scholar with thanks to Oren Margolis for providing this article in advance of publication.Ģ8 Ciriaco's visit is recorded in a letter to Francesco Crasso sent from Arta, 29 December 1435: ‘Atque sponte Corcyram civitatem ipsam quam pestifero morbo laborantem audivimus longe praeter linquendam curavimus et VII Kal(endas) Ian(uarias) Bothrotum antiquam in Epiro Troiani Heleni urbem venimus, ibique natalem humanati Iovis diem, quoniam apud Cassiopen, ut optavimus, colere ad sacram Almae Virginis aedem nequivimus, nautico more celebravimus’ (BAV, Ottob. The Italian and Latin texts differ slightly: ‘che e’ fussi uno essemplo e specchio di virtù, el quale tutti e' principi del mondo riguardassino in ogni loro reggimento publico e privato' ( Gatti, D., La ‘Vita Caroli’ di Donato Acciaiuoli ( Bologna, 1981), 80 Google Scholar) ‘ut summum in omni genere virtutis exemplum ante oculos poneretur quem reliqui principes in publicis pariter ac privatis rebus intueri imitarique pro arbitrio possent’ (p. Acciaiuoli claims that he has chosen to write upon Charlemagne's deeds ‘as a great example and mirror of virtue for other princes to imitate’. Although Verino does not follow Acciaiuoli's Vita Caroli, a similar didactic purpose lies behind the presentation of both works. (eds), Il principe e la storia ( Novara, 2005), 307–38 Google Scholar. Il volgarizzamento della Vita Caroli di Donato Acciaiuoli’, in Matarrese, T. and Gualdo, R., ‘ Le metamorfosi di Carlo. Ten Centuries of Book Production in the Medieval West ( London, 2005), 338–9 Google Scholar also Gatti, D., La ‘Vita Caroli’ di Donato Acciaiuoli ( Bologna, 1981) Google Scholar and Gatti, D., ‘ La Vita Caroli di Donato Acciaiuoli’, Bullettino dell'Istituto Storico Italiano per il Medio Evo e Muratoriano 84 ( 1972–3), 223–74 Google Scholar Coluccia, C. The Panegyric Poetry of Johannes Michael Nagonius ( Turnhout, 2013), 75– 140, 164–8, 387–412 Google Scholar.ġ6 The deluxe presentation manuscript written by Piero di Benedetto Strozzi and decorated by Francesco di Antonio del Chierico is now in Cambridge (Fitzwilliam Museum MS 180) see Binski, P. thesis, The Warburg Institute, School of Advanced Study, University of London, 1990) now Gwynne, P., Poets and Princes. Gwynne, The Life and Works of Johannes Michael Nagonius, Poeta Laureatus, c. (ed.), The French Descent into Renaissance Italy, 1494–95: Antecedents and Effects ( Aldershot, 1995), 29– 54 Google Scholar also P.G. Note also Peyronnet, G., ‘ The distant origins of the Italian wars: political relations between France and Italy in the fourteenth and fifteenth centuries’, in Abulafia, D. Upon his majority (1491), Charles, who had inherited Angevin pretensions to the kingdom of Naples, immediately began preparations to reclaim his inheritance by war the primary study remains Labande-Mailfert, Y., Charles VIII et son milieu (1470–98): la jeunesse au pouvoir ( Paris, 1975) Google Scholar see also Scheller, R.W., ‘ Imperial themes in art and literature of the early French Renaissance: the period of Charles VIII’, Simiolus 12 ( 1981), 5– 69 CrossRef Google Scholar and references therein. 8 When he succeeded to the throne in 1483 King Charles VIII of France was a minor, and the kingdom of France was ruled by his elder sister Anne and her husband Pierre II, sire de Beaujeu, duke of Bourbon (1488).
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